also known as
GEORGE M!
Music and lyrics by George M. Cohan : Book
by Michael Stewart and John & Fran Pascal
Lyrics and musical revisions by Mary Cohan
Produced on Broadway by David Black, Konrad Matthael and Lorin E. Price
Directed and choreographed for Broadway by Joe Layton
Palace Theatre, Broadway - 10 April, 1968 (435 perfs)
| In his lifetime George Michael Cohan was THE great towering giant of the American musical theatre and George M! is his story. It is colourful, exciting and, above all, fast moving as any show needs to be to cover the hectic 60 year career of this amazing performer. |
|
| Jerry Cohan learns of the birth of his son while on a vaudeville
stage in Providence, Rhode Island. Years later we find the four Cohans in Cedar Rapids
working their way towards Broadway. Finally there is the big break - vaudeville impresario
E.F. Albee will see their act. Albee wants only sister Josie, but relents and agrees to
use the whole act for an out-of-town circuit. George blurts out, "It's Broadway or
nothing!" Blowing their chance the Cohans move to New York to try to make their way
on their own. In the process of building a name, George meets Ethel Levy. During the
period of their courtship, the four Cohans and Ethel achieve fame. She and George are
married. Not satisfied with vaudeville success, George seeks a new form of entertainment.
He writes his first musical comedy but it turns out to be a flop. Undaunted, he starts to
produce Little Johnny Jones. Auditions are held, numbers run through, scenery built
all of which climaxes in the full productions of Give My Regards To Broadway.
George M. Cohan has his first hit. Now a success on Broadway, George and his partner, Sam Harris, seek to become the kings of Broadway. They sign the biggest star of the day, Fay Templeton, to appear in their show. George is now on top but wife Ethel feels totally neglected and the two are divorced. This event has a tremendous effect of George's ego, Later he runs into Agnes Nolan from the cast of Little Johnny Jones and confides his troubles to her. Soon after this meeting, she becomes the second Mrs Cohan. Together with Agnes, George writes some of his more enduring work, "Yankee Doodle Dandee", "Nellie Kelly", "Harrigan", "Over There" and "You're A Grand Old Flag". But then things begin to happen to the people that George has held most dear. His father has died; his sister Josie has married and left the theatre, and the actors, whom he has always paid more than any other producer, have voted in Actors' Equity and are presenting their "demands". Rather than recognise the union, he declares he will write no more shows. With the success of the union George retires from the Broadway scene. True to life, however, George comes out of retirement in the 1930s to help his friend Sam Harris by starring in a new show, I'd Rather Be Right. Things have changed, and George is forced to eat humble pie by taking orders instead of giving them. George confides to Agnes that he us a but shaken by the experience but is happy in one fact - he is on Broadway again. |
|
Musical Numbers:
- All Aboard For Broadway
- All In the Wearing
- All Our Friends
- The American Ragtime
- Barnum and Bailey Rag
- The Belle of the Barber's Ball
- Billie
- The City
- Dancing Our Worries Away
- Down By the Erie Canal
- Forty-Five Minutes From Broadway
- Give My Regards To Broadway
- The Great Easter Sunday Parade
- Hannah's A Hummer
- Harrigan
- I Want To Hear a Yankee Doodle Tune
- I Was Born In Virginia
- I'd Rather Be Right
- Mary
- Musical Comedy Man
- Musical Moon
- My Town
- Nellie Kelly I Love You
- Oh, You Wonderful Boy
- Over There
- Popularity
- Push Me Along In My Pushcart
- Ring To the Name of Rosie
- So Long, Mary
- Twentieth Century Love
- Yankee Doodle Boy
- You're a Grand Old Flag